Monday, May 2, 2016

Taking a Trip Through My (ab)CDs

A-1


Between my husband and me, we have quite a few CDs, mostly of music from the 90s and before.  Some of them were purchased to replace old LPs.  Some are his, most are mine.  When we got married, we discovered some duplicates (Tom Petty’s “Full Moon Fever” springs to mind) which I took to a local store and traded for others, or sold on eBay. I still buy some CDs, but they're mostly older stuff.  I'm not the most adventurous of listeners, and my tastes are pretty middle-of-the-road.  I'm also trying to challenge and shake that up some.  I’ve mostly been listening to public radio in my car for a time, but this year’s political coverage has become more than I can take.  I do often listen to the public adult alternative station for music, but with a recent move, I’ve become even more painfully aware of all the stuff I have that I don’t use. “Why did I buy that?  Where did this come from? How much of this crap do I really need, or want?” 

I think about the music we own that I don’t listen to and I feel minor pangs of guilt over the money spent and the space they take up. The money is not a huge thing, until you take into consideration the fact that there are many CDs that were probably only listened to all the way through once. At least the price of music seemed to hit a peak a couple of decades back, and then dropped to a more manageable amount.  The space is also not so bad when you compare CDs to LPs.  Buying CDs has never been as satisfying open the cellophane around an LP, pulling out the disk, and…but that’s a topic for another time.  I can’t listen to LPs in the car, and I haven’t taken the time to digitize most of mine, so we’ll leave that alone for now.

To avoid feeling wasteful, I’ve decided to listen to some of our CDs on my way to and from work, as I have a longer commute now. 
  •  I’m just listening to one CD per artist, in alphabetical order, although some of the cases do contain double albums, so I may or may not listen to both.
  •  If there are artists whose CDs I could sing through in my sleep, I do not have to listen to every song, but if I haven’t listened in years or don’t know the album at all, I will listen to every cut.  My game, my rules.
  • This is car listening, so it is not a place I can concentrate on every word, nuance and note of an arrangement.  That’s not really the point, unless there's something that just demands to be heard.  I just want to know why I have this stuff.  Plus, my car stereo isn’t the best, and the speakers Garland bought me for Christmas several years ago are still uninstalled and in their original box, so I’m listening through fairly cruddy factory speakers.  I’ll still get the gist.
  • My music is divided into sections.  The overwhelming majority is pop/rock, but there's a country portion, a few contemporary Christian (which actually aren't very contemporary--mostly 90s to 2008 or so), some standard/show stuff, and some classical.  My current activity just involves the pop/rock.

I started this exercise several weeks ago and wasn’t recording my thoughts until I got to Jimmy Buffett, but I’ll backtrack and jot something down. I’ve just realized that our box sets are stored in a different area right now, so I need to bring them and get them in the mix in so no one is left out.

5/2/16Image result for jimmy buffett fruitcakes cd

Jimmy Buffett – “Fruitcakes” (1994)

Background:
My husband is(was?) a Parrot Head.  He used to be in the fan club, and has been to several concerts.  I surprised him with tickets once when we were dating in the mid-90s, and we also went to a show with friends after we got married.  I like Jimmy fine, but all the CDs, albums, posters, books, mugs, etc. in the house are definitely Garland’s.

CD thoughts: Listening to Jimmy Buffett on the way to work might not be the best way to start a Monday morning.  I have no immediate prospects of a tropical vacation.  We don’t have a swimming pool.  We haven’t even figured out how to operate, maintain or repair the hot tub that came with the house where we moved two and a half months ago.  The first 2 songs on this CD are 15 minutes combined, and the fun feels a bit forced.  The ballads fare somewhat better. I found the start of one song nice, and then realized it was a cover of “Uncle John’s Band.” It all sounds fine and relaxed, and as you’d expect, there’s a bounty of clever lyrics and breezy singing.  The female backup singers are irritating on some of the tracks.  A couple of years ago I finally realized what I want to be when I grow up.  I want to be a session singer in the 1970s.  This CD is from the 90s, and I would’ve been sad to sing these outdated arrangements. One cut is an annoyingly highjacked cover of the Kinks' "Sunny Afternoon" in which he includes a Parrot Heads reference.  There is an even more annoying cover of "He's Got You."  Jimmy sings "the only ting different, the only ting new," to show just how Caribbean he is, and also throws in some "I don't know"s from "Volcano"  in the mix.  The final song has the cloying title of "Apocalypso", but it's actually decent.


Takeaway: Steel drums, pan flutes (I think it was a pan flute), and conga drums probably feel better around Thursday lunchtime and later in the week, unless you’re in the Caribbean, in which case let the Jimmy flow.  Just probably an earlier album.

Sunday, June 22, 2014

A Little Victory

When I make playlists for myself, I sometimes like to create something motivational, not too goofy or cheesy, but songs I think are positive.  One of my favorites is "Just One Victory" from Todd Rundgren.  I think it can be very true,  "just one victory, and we're on our way."

I had a couple of victories last week, at least I'll feel victorious when I get paid for them.  I got a couple of voice over jobs; one, a module in a series of instructional videos I've been doing.  The other was the first I've been awarded after auditioning on a pay to play voice over site.  There are a few of these in the voice over world, and I was waffling about paying for a membership last year.  I'd had free memberships on two for several years, and a few years back, I'd actually gotten a job doing a training video for someone who'd happened upon my profile.  However, in order to be eligible to audition for most of the jobs, it's necessary to be a paying member, so it was starting to seem like a necessary evil.  (In fact, someone to whom I'd sent marketing material a few months ago sent me a nice response email saying they only did voice casting through the site I now use.)  Last fall, one of the daily deal sites had a half price deal, so I decided it was time to bite the bullet and become a premium member.

As I still have a day job and another part-time job, I hadn't yet done any auditioning, but in March, I decided my membership fee was being totally wasted if I didn't at least give it a shot.  So I auditioned, with high hopes.  I didn't understand how to read the site at first, but as I figured it out, I began to realize that about half of my auditions hadn't even been heard by the clients.  I didn't know whether to feel more or less frustrated by that.  Because I felt I might be missing out by not finding good projects or auditioning after too many others had already submitted, I decided to use a couple of vacation days to mostly spend time on my voice over business, and to spend a good deal of that time auditioning.  I planned poorly, choosing April 17th and 18th, not realizing until later that Good Friday was a terrible time to try to work, because many businesses close that day, or gear down to at least close early.  There weren't many auditions to even take a stab at, although I did devote time off to marketing in other ways.

To be completely honest, I don't really want to spend that much of my time working this site, and I would prefer to cultivate my own client list, but I felt more determined, and sure if I just got my audition in at the right time and the right person heard me, that there was no reason for them to choose anyone else.  I can do the job as well as anyone.  Beginning in June, I noted a higher percentage of my submissions were at least getting listens, and several of those were marked as "liked." Even though I was pretty certain something would eventually come my way, I was still surprised to see a different subject in the inbox of the email account I use especially for the site.  It said money had been deposited for me because I'd been awarded a job.  I couldn't even figure out how to get the script at first, but once I realized where the message was, I found the file, and quickly figured out how to upload my mp3.  The client must have been happy enough because the file was accepted, and I got a 5-star rating, which I guess is how I got bumped to the site's Home page.  At that point, my demos got more listens, which is really what I want as much as anything.  I suppose that's how I got heard by someone else who invited me to audition for a project which wasn't supposed to be a great match, but is now going to be my next project--so I've booked two within a few days.

Getting the jobs I got last week was a big boost.  For about a day.  Then, I just became greedy for more, but maybe "greed is good"?  I don't know, but getting the work just makes me want more work and gives me hope.  A recent fortune cookie told me "Your current plans are going to succeed."  Do I believe in a little piece of paper someone in a factory in California stuffed in a cookie?  No.  Do I believe in me?  Yes, I believe I do.

"Can you hear me, the sound of my voice?"  I hope you will.

Tuesday, August 13, 2013

Hey, Hey

I don’t have many vivid memories of the 60s.  I can’t honestly say I remember Neil Armstrong walking on the moon.  I only have vague memories of my younger sister being born and those memories are mixed with dreams.  My first memories, and yes, they are pretty fuzzy, mostly involve The Monkees. 

I was only a toddler when The Monkees premiered on NBC.  My parents enjoyed music and I guess that’s what led them to watch the show, but I apparently loved it from the time I could talk.  My father always enjoys telling of how I loved Davy Jones, and how Dad would call him names, especially “the little wart,” to see tiny me get indignant and stomp my foot.  I had some kind of teenybopper magazine when I was 2 or 3 and I’m told I took it to bed with me and Mom and Dad would hear me from the hallway saying “Micky,” or “Davy,” followed by something unintelligible.  Whether I was talking to them or about them isn’t clear.  I loved them all.  Davy, Micky Dolenz, Mike Nesmith, and Peter Tork were The Monkees.  They were my idols and my friends.  I’ve had many dreams through the years about hanging around with them, and riding in the Monkeemobile.

I don’t remember watching the series as it aired in prime time, but fuzzy memory number one involves a special titled “33 1/3 Revolutions Per Monkee” that aired after the series went off the air.  I’m not positive how we knew the show was going to air, but the information most likely came from TV Guide, to which my parents probably have one of the longest standing subscriptions in the U.S.  I recall having taken every toy out my toy box for some reason and creating a big mess.  I was told I had to clean up said mess before I could watch TV.  I was very upset, but got it cleaned up in time and I remember watching the show and eating my dinner on a TV tray, which was not common practice in our home.  For years, I had some odd memories of the guys entering the show in some kind of plastic tubes.  In later years, I thought I must have made that up, but when I saw a VHS of the show, I found that I’d remembered at least partially correctly.
 
The next memory comes from a year later, after Peter had left the band.  I was the flower girl in a wedding in Louisville and spent the night there with my grandparents (my family lived in Shelbyville).  The next day, Na Naw and Ta Taw and I went to Pineville, Kentucky where Ta Taw’s mother and twin sisters lived.  I knew that the Monkees were supposed to be on Laugh-In that night and was very excited to watch the show.  Grandma, the aunts and Na Naw and Ta Taw all wanted to watch Lawrence Welk, however.  Even at 4, I think I had an inkling that this was not cool.  I remember crying and falling asleep on a couch; I do think I was probably a little homesick at being away for 2 nights in a row, and not just upset over not seeing The Monkees.  I also for some reason believe that the episode of Laugh-In was a rerun, and I’d already seen it, but as is proven over and over, children enjoy repetition.  Besides, we’re talking about The Monkees, and this was in the days before DVRS, DVDs, or even VHS tapes.  You watched a show when it aired, or you didn't see it at all. 

My best memories of watching The Monkees were on Saturday mornings.  My first album that was not a Disney or other children’s LP was The Birds, The Bees and The Monkees.  I still have it but the cover is pretty ragged, as it was well-loved by a little girl.  The vinyl was fairly heavy and is in pretty good shape, considering.  On my 6th birthday, one of my favorite gifts (other than a Dawn doll) was Barrel Full of Monkees.  I still have that double album of greatest hits, too.  Wikipedia says it was released in March of 1971, but that cannot be correct.  My memory is NOT fuzzy about getting that album on my birthday, which was in FEBRUARY.  20 great songs are on that album, which was the best I had until getting the Listen to the Band CD box set in the late 80s. 

The Monkees TV show was ahead of its time, breaking the 4th wall, using weird video cuts, and having avant garde guest stars like Frank Zappa.  It received Emmy Awards for Outstanding Comedy Series and Outstanding Directorial Achievement in 1967.  That was all way over the head of a preschooler.  I liked the bright colors, the six-button shirts, the crazy romps, and cute Davy Jones.  And the pop music.  I have loved pop music, always.  My mother insists that she turned on the radio when I was 2 years old, and I said, “that’s Frank Sinatra” and she realized I was right.  When I was still little, I heard the song Tracy on the radio, and thought the DJ said it was sung by The Monkees, which made me so very happy.  In later years, I found that he’d said The Cuff Links.  Not the same thing at all, but Ron Dante, the lead singer of The Cuff Links, fits into a later musical chapter of my formative years.

According to Wikipedia, reruns of The Monkees ran on CBS Saturday mornings from 1969 to 1972, and then on ABC from 1972 to 1973.  I remember watching the show on WHAS (Channel 11 in Louisville, KY, the CBS affiliate until 1990), but don’t remember it emigrating to WLKY (Channel 32).  My memories were that The Monkees were replaced by Lancelot Link, a live action show featuring chimps, with dubbed-in lines.  This is probably not accurate, but I always blamed Lancelot Link for bumping The Monkees, so I didn’t appreciate the bubblegum music in that show that I might have normally enjoyed.  Yes, I like bubblegum.  No, The Monkees are not bubblegum.  That is a LONG discussion for another time.

In the 70s, reruns of The Monkees would sporadically pop up on TV stations, usually independent stations, during the day.  But the show experienced its true rebirth on MTV when a marathon aired in 1986.  Subsequently, Peter, Micky and Davy reunited, had a Top 20 song (well, Davy wasn’t on the song) and a new album, and Mike even joined them for some live concerts (that I didn’t see).  Columbia Pictures decided to capitalize on The Monkees new-found popularity and created a new series The New Monkees, which failed pretty quickly.  I vaguely remember seeing part of maybe one of those shows, and hating it.  I own that show’s album, picked up on the cheap after the show aired.  I’m pretty sure I’ve never listened to it.

I watched the reruns of The Monkees whenever I could.  I have VHS tapes with many of the episodes that aired in the 80s.  Of course, I have both seasons of the show on DVD now (a Christmas gift from my husband in 2003, the year they were released).  I‘ve held on to the tapes just for curiosities like old MTV promos and fun items like tampon commercials featuring Courtney Cox.  I had a very good memory for the plots of the shows and enjoyed them in reruns as much as, if not more than, I did when I was 4 or 5.  I understood the humor better as an adult, and appreciated the fine pop tunes more, too.  In the mid-80s it suddenly hit me that The Monkees were closer to my parents’ ages than they were to mine.  In the 80s, I was the age that the boys were when they filmed the shows. That was sobering.  Several years later, a day came when I realized that two of The Beatles were dead, and there would be a day when one of The Monkees would pass away.  I still assumed they would be quite old and it was very far away.

In 1994, a touring production of Grease came to Louisville and I was doing the morning show at Lite 106.9 (WVEZ), and had press passes.  Davy played Vince Fontaine during that run of the show.  He was walking through the audience and my boyfriend (now husband) encouraged me to try to meet him.  I didn’t, because I didn’t want to ruin my illusion.  To the perpetually 6-years-old portion of my brain, Davy will always be 20 years old, and looking younger than that due to his diminutive stature and seemingly hairless face.  He seemed to age more quickly than the rest of the guys after the show ended.  Mike had always seemed to be more adult, and he was married during the show, although I’m sure I didn’t know that at the time.  Peter and Micky also seemed somewhat older, although Micky was born the same year as Davy.  Seeing Davy in Grease playing a middle-aged DJ who flirts with high school girls bothered me a little, so I enjoyed the show from a distance.

I enjoyed the show from a larger distance when I saw The Monkees (Davy, Micky and Peter) after a Redbirds game in 1997.  It was a fun show, although I don’t have many specific memories other than wishing Mike would have been with them to make the concert feel more complete.  I do remember thinking they looked and sounded quite fine on all of their many hits.

Those same three (no Mike again, of course) began a tour in 2011.  I wanted to see them and I read reviews saying they were better than they had any right to be.  That tour ended early, with “business” mentioned as the reason for the stoppage.  I had fears that Peter was ill, as he had been diagnosed with a rare form of head and neck cancer in 2009.  It seems now that it actually was business, or possibly fighting amongst the guys.  I regretted not having seen one of those shows, especially a few months later.

On February 29th 2012, I came to dislike Leap Day.  I found out from Facebook that Davy Jones had died of a heart attack.  He was 66.  Friends and family sent me condolence messages.  It really was a kind of rite of passage for me.  My first crush, gone.  As an adult, I’ve come to realize that if I’d come to The Monkees later, Davy probably wouldn’t have been my favorite.  Not that I would have even had to choose, but Micky Dolenz is one of the best pop singers ever, and seriously underrated.  I always thought he was the funniest, even as a kid.  But they were all pretty gifted comedians.  Mike is a fine songwriter, and had a decent music career going before he was cast in the show.  Even though he and Peter lacked acting experience, they were funny and appealing, and possessed good comic timing.  Peter plays multiple instruments well and is also a fine songwriter.  Davy wrote fewer songs than the rest.  He was a showman, as opposed to a rocker.  He was nominated for a Tony for his portrayal of The Artful Dodger in Oliver! in 1964.  He was a teen idol.  And he was adorable.  Watch any episode of The Monkees and see for yourself.

I was glad and sad to hear the surviving Monkees were going to tour in 2012.  They did several dates, and I considered flying somewhere to see them, but couldn’t really justify the expenditure.  When I saw they’d decided to do more shows this year and would be in Nashville, less than 3 hours from me, I knew I had to go.  But as a lot of people have said, it would certainly have been nice if they have reunited for a full-fledged tour before, when all 4 guys could have done it.  Mike has never needed the money, with his inheritance (his mother created Liquid Paper), and his much greater solo success.  It’s understandable to a degree;  I’m sure it would be hard to spend most of your life defined by something you did for about 4 years, especially for someone like him, whose video innovations preceded MTV and helped to inspire that network.  But those few years meant a great deal to many people.  Despite all the digs at the “Prefab 4” and the fact that they didn’t play all the instruments on all their albums, there is no denying that they made a lot of great pop music.  Whether by choice or by dictation from record labels and TV show producers, they performed some of the best-remembered and most-played songs of the 60s.  There are many current petitions to induct them into the Rock and Roll Hall of Fame.  Whether or not the politics of that particular institution allow them in, which is highly doubtful, they will always have their place in pop music, and it is a place they earned, regardless of their origin.

There are times when musicians should call it a day.  But as long as someone sounds good and feels good about what they’re doing, they might as well go on doing it.   A couple of years ago when I heard Glen Campbell was going on tour after his Alzheimer’s diagnosis, I questioned his family’s choice.  I wondered if they were just trotting the guy out to make a few bucks.  But I heard some clips from a new album on NPR and realized he sounded marvelous.  I actually saw a show in Louisville last year and he sounded fantastic.  Not fantastic for a 76-year-old man.  Just fantastic.  His guitar playing had lost its sharpness, his daughter had to remind him he didn’t need a capo for a particular song and he obviously used a teleprompter for lyrics, but he still did an excellent show.  And given the choice between sitting on a porch waiting for that horrible curtain to be drawn across my brain and playing some more shows, I’d choose the shows any day.  Of course, I’d love to be singing and playing for any audience, so maybe I’m not the most objective observer.  My thought on this is, if you can, get together and play.


The Monkees sound good.  Really good.  Micky is 68 and his voice still sounds great on all those hits.  I believe everything he sang in Nashville on July 24th was done in the original key.  If it wasn’t, it was close.  I’m always prepared for artists to lower the pitch of songs so they can hit the notes, but I only felt that might have been the case on a couple of Mike’s songs.  Singing was never Peter’s strong suit, but I think he sounds better now than he did in the 60s.  His speaking voice is a bit raspy, possibly due to his previous illness.  Mike sounds the same as ever, and seemed to enjoy himself during the show.  My husband quipped that he had put Liquid Paper on his hair.  Yes, they all look older, yet youthful and energetic.  All three played guitar at the beginning.  Peter also played banjo and keyboard, and Micky of course, played the drums during the second set of songs.  He had played guitar prior to being cast as the drummer on the show, at which point he had to learn to play drums.  He learned pretty well.  The show lasted about 2 hours, consisted of about 30 songs (when most of your songs are 2-3 minutes, you play a lot of them at a show), and was highly entertaining.  As Mike says in the song Listen to the Band, “Now weren’t they good?  They made me happy.”  They always will.

Wednesday, August 11, 2010

Where'd it go?

I know I'd posted something. Maybe it's on another site? I think I'm losing my mind.